Lately, I've been feeling a little dull. Here is an instantiation meant to reproduce this feeling:
Jorge Luis Borges wrote a little story called "The Garden of the Forking Paths." (You can probably find it online.) The key mystery, if you can call it a mystery, surrounds Dr. Yu Tsun's ancestor, Ts'ui Pen, who undertook a double task: to write an intricate novel and to construct an equally intricate labyrinth. In both, everyone would lose his way. Someone murdered Ts'ui Pen before he completed the novel, and the labyrinth was never found. Other stuff happens in the story, which is quite good, but my chief interest is in this kernel of narrative uncertainty.
Conventional narrative depicts a character making a decision that eliminates all previously available options. Borges presents the possibility of a world in which every option continues to exist simultaneously, each leading to unlimited future possibilities, some of which converge but for different reasons.
I've been waiting for feedback from my committee on material I gave them a month ago. As days pass, I imagine increasingly elaborate reasons for their silence. I also increasingly think of the things I should have addressed in the draft I gave them: race and slapstick, the myth of the persistence of vision, and sources that my sources referred to, and their sources, and so forth.
"The Garden of the Forking Paths" helps me think about the internal and textual problems I'm encountering. My mind attempts to contain all courses and recourses, while I struggle with the ongoing textual impossibility of tracking down all sources connected to any given bibliography. (Each source I trace contains within it its own bibliography, which I feel compelled to track down as well.)
All things stem from this philosophical dilemma. Clearly, no one can get it all. But it still makes me feel dull.